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Featured Artist: Kathyjean Boise My Background: I drew my first illustration in third grade of
a streaker...streaking was a popular sport in New York City in
the 1970's. I sold it for 75¢ to a classmate and the orders
kept coming in. I could not believe people were paying me to do
what I love to do... draw. A little later in life I decided to
make a living out of it, so I packed my bags and said good-bye
to the east coast and went west to San Francisco. I graduated
with honors from the Academy of Art College. I now illustrate
for advertising campaigns, magazines, and editorial publications.
I have done illustrations for Ketchum Adv., Ogilvy & Mather, Team
South Adv., Southwestern Bell, Southeastern Bell, American Online,
National Beef Council, Reebok, Bertolli, and numerous editorial
projects and magazines including S.F. Examiner, The New Yorker,
and the New York Times. My Technique: I use pen and ink with watercolor and colored pencils,
but I am trained and have extensive experience in all mediums.
My style is spontaneous and whimsical with a sophisticated line
quality and humorous overtones. I enjoy working by hand the old
fashioned way. I like to feel the pen in my hand and smell the
paint and feel the texture of the paper. When they make a computer
able to give me these sensations, I may change over. Meanwhile
I carry my sketchbook and get a lot of my work from everyday sketchbook
drawings. My Involvement in the Guild: I think it is important to be a
part of a group of people who are illustrators, since it can be
quite isolating to be in your studio all day. I also think it
is important for me to surround myself with people in related
fields who share similar beliefs and goals, who can inspire and
support. I am a member of the Graphic Artists Guild and continue
to run my fourteen-year business from my San Francisco based studio. My Favorite Client story: An art director did not want me to
put platform shoes on this illustration of a teenager because
he thought the client was too conservative. I said "That's what
teenagers are wearing now, but, okay, I will put flats on her".
Two days later after I did the illustration as he wanted, he called
and asked for the platform shoes... he said the client wanted
them now. I said "Okay, I will draw just the shoes and you can
scan them in the computer over the other ones". He agreed. I was
happy to do it for an additional fee and because I wrote my contract
well, I was able to charge $500.00 for those new platforms...
(enough to buy myself a few pairs of my own.) I think it is important
to make sure we as illustrators get compensated for ALL our work
and refuse work if the contract is unfair and unreasonable, Negotiating
skills are just as important as illustrating skills. All artwork © 2002 Kathyjean Boise. Not to be used without
permission.
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